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Costume-Con Visual Archive: Competition Entries and Awards Costume-Con 15 Historical Masquerade
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Costume-Con 15

1. Science... 2. Historical ... 3. Fashion Show 4. Single... 5. Doll Contest 6. The $1.98... 7. Worst Pun... 8. Operation...

Historical Masquerade

Date: 03/16/2006
Size: 28 items
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The Impossible Dream

The Impossible Dream

Date: 03/16/2006
Views: 357
Entry Number: 13
Division: Journeyman
Category: Hist. Interpretation
Worn By: Marian O'Brien-Clark, Matt Brady & Daren Bost
Presentation Award: Best Ass
The Pirate Queens

The Pirate Queens

Date: 03/16/2006
Views: 244
Entry Number: 14
Division: Novice
Category: Hist. Interpretation
Worn By: Jennie Gist & Mary Ellen Tyus
1882 Seaside Costume

1882 Seaside Costume

Date: 03/16/2006
Views: 319
Entry Number: 15
Division: Master
Category: Hist. Interpretation
Worn By: Deb Salisbury
Presentation Award: Best in Class
Other Awards: Also won the book Rural Pennsylvania Clothing from CC17, a $35 Gift Certificate from Classic Trims and a subscription to Costume & Dressmaker Magazine
Her First Ball

Her First Ball

Date: 03/16/2006
Views: 295
Entry Number: 16
Division: Novice
Category: Hist. Interpretation
Worn By: Kathryn Draves
At the Cemetery - 1863

At the Cemetery - 1863

Date: 03/16/2006
Views: 258
Entry Number: 17
Division: Master
Category: Hist. Reproduction
Worn By: Patricia Anne Buard
Presentation Award: Best Presentation
1885 Gown from the Film The Age of Innocence

1885 Gown from the Film The Age of Innocence

Date: 03/16/2006
Views: 243
Entry Number: 18
Division: Novice
Category: Hist. Interpretation
Worn By: Rebecca Brown
Annie Oakley: The Peerless Wing & Rifle Shot

Annie Oakley: The Peerless Wing & Rifle Shot

Date: 03/16/2006
Views: 356
Entry Number: 19
Division: Master
Category: Hist. Interpretation
Worn By: Jennifer J. Burnham
Documentation Award: Best Documentation
Presentation Award: Best Re-Creation
Curtain Call

Curtain Call

Date: 03/16/2006
Views: 313
Entry Number: 20
Division: Journeyman
Category: Hist. Reproduction
Worn By: Katherine Jepson
Documentation Award: Best Documentation
Presentation Award: Best in Class
Other Awards: Also won a Tricorn & Mob Cap from CC17, a copy of the Threads book Distinctive Details and a subscription to Costume & Dressmaker Magazine
Luxor Gown

Luxor Gown

Date: 03/16/2006
Views: 257
Entry Number: 21
Division: Master
Category: Hist. Reproduction
Worn By: Julia Ann Hyll
Presentation Award: Most Impressive
A Waltz Through Time With Mr. Strauss (a)

A Waltz Through Time With Mr. Strauss (a)

Date: 03/16/2006
Views: 303
Entry Number: 22
Division: Journeyman
Category: Hist. Interpretation
Worn By: (standing, left to right): Pat Bothman, Carol Inkpen, Catherine Costen & Genie Hillen, (seated, left to right): Karen Heim & Nora Mai, with props provided by Mr. & Mrs. Mai (left) and Mr. & Mrs. Pettinger (right)
Presentation Award: Best Costume Collection


Other Awards: Best in Show
A Waltz Through Time With Mr. Strauss (b)

A Waltz Through Time With Mr. Strauss (b)

Date: 03/16/2006
Views: 295
Entry Number: 22
Division: Journeyman
Category: Hist. Interpretation
Worn By: Pat Bothman
Presentation Award: Best Costume Collection
Other Awards: Best in Show
A Waltz Through Time With Mr. Strauss (c)

A Waltz Through Time With Mr. Strauss (c)

Date: 03/16/2006
Views: 329
Entry Number: 22
Division: Journeyman
Category: Hist. Interpretation
Worn By: Catherine Costen
Presentation Award: Best Costume Collection
Other Awards: Best in Show
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Custom Fields

Rules: These general rules applied to both the Science Fiction & Fantasy and the Historical Masquerades:

* Costumes which have been purchased or rented are not eligible to compete.
* Costumes previously worn in the halls at CCXV also are ineligible to compete.
* Each person may appear only once on stage per masquerade. If you have more than one costume to enter, please find more than one person to wear them.
* No non-human creatures will be allowed backstage or on-stage with the exception of guide/aid dogs needed by a contestant.
* No messes! Do not leave glitter, powder, liquid, debris, or anything else on the stage that cannot be scooped up in the dark in a few seconds by the stage ninjas. Please be careful with stage makeup, stage blood, etc. to make sure it does not rub off on casual contact and endanger other people's costumes.
* No fire! This includes flash paper/cotton/powder, explosions, and open flame of any kind.
* No electricity! There will be no electrical outlets for contestants; costumes should be self-powering.
* No audio! Likewise, there will be no microphone on stage for contestants -- any script should be taped or typed out for the MC to read.
* No flagrant nudity -- please keep displays of skin to a PG rating or less.
* Surprise the audience. Surprise the judges. But do not surprise the Masquerade Director. Please warn the Director if you are planning any surprise effects.

The Masquerade Directors reserve the right to remove anyone from competition for any of the following: violation of the above rules; concern for the safety of the audience, crew, and other contestants; or for any other reason deemed sufficient.

The Historical Masquerade was held Sunday night. Unlike the SF&F Masquerade, each entry in the Historical Masquerade was judged in all five of these categories:

* Documentation
* Authenticity
* Complexity
* Workmanship
* Presentation

Documentation Review
The first step in judging the Historical Costume Competition is a review of the documentation supplied. The documentation is written like a research paper, complete with foot notes and a bibliography. Photocopies (or originals) of pictures are acceptable within the documentation, however they must be legible. The contestants may include fabric swatches and do other things to make their documentation more appealing, however, they may *not* include photocopies of the text of books from which the research has been performed. The Historical judges review the documentation Friday through Sunday.

Pre-judging
The next step in judging consists of a review of the workmanship, authenticity, and complexity of the garments. The judges have 10 minutes to view each contestant. The judges look at all parts of the costume, including underpinnings and seams. Although some contestants prefer to wear their costumes to the pre-judging, they are subject to prodding, poking, lifted skirts, and other (similar) indignities. Shy contestants are advised to bring (not wear) their costumes to the pre-judging.

Presentation
The last step in judging the competition is during the Historical Masquerade. Contestant have one minute (60 seconds) to present their costumes on stage. It is not necessary that all this time be used; this is a theoretical limit. Additional time is granted on a case-by-case basis. Entries that extend over the limit are penalized. Entries that extend 30 seconds over the limit are disqualified.

There are two costume categories: Recreation and Interpretation.

The Recreation category is for all entries which are attempting to re-create an actual garment. Documentation should show pictures of the original.

The Interpretation category is for all other entries. This category is for costumes which would have been possible, given the locale and time; for costumes which would not have been possible due to differences in locale or time; and, for modern theatrical pieces. The documentation standards for Interpretation are no less strict than for Recreation. Only the intent of the costume is different.

The following ranking system applies: Novice, Journeyman, Master. A contestant's ranking in the Science Fiction & Fantasy masquerade does not affect his or her ranking in the Historical Masquerade. However, the standards for determining ranking will be the same as in the SF&F masquerade.
Miscellaneous Notes: Prizes donated by: Lark Books (Magazine Subscription), Classic Trims, Taunton Press (Threads), Costume & Dressmaker Magazine, Freedom Arts & Manufacturing, and Castle Blood.

Statistics: 22 total entries; 1 Junior, 11 Novices, 5 Journeymen, 5 Masters; 17 Interpretation and 6 Re-Creation.
Presentation Judges: Mike Tartaglio, Kathleen Norvell & Rob Himmelsbach

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